Christine Corday engages a materials practice as artist with the evolving human scale of perception and fundamental forces. She works with temperature, material states, elemental metals as well as creates further medium often in artist-led collaborations with international scientists and science organizations.

PUBLIC SKIN

 

Corday uses the term PUBLIC SKIN as an encounter with the term "Public Art"–– ts allowance of touch and its collectively-shared yet intimate engagement or encounter.

 

 

FJORWARD

HUDSON RIVER, PEEKSKILL, NEW  YORK

 

CHOREOLITH

NEW YORK UNIVERSITY

 

GENESES

CITY OF SAN FRANCISCO

CORDAY / NEW YORK

studio[at]cordayg.com